Noxious Sector Press

Noxious Sector is a formalized forum for informal inquiry. Noxious Sector Press provides a platform for the exploration of ideas that engage questions of art and theory, the material and the speculative, the real and the imagined - gesturing in the process towards new forms of creative and intellectual thought. Noxious Sector Press is founded on the belief that artistic practice and speculative theory yield different types of insights than more traditional forms of academic inquiry, and aims to provide a forum in which these differences can be shared in a spirit of creative and intellectual community.

Noxious Sector Press publishes books of critical theory, artist books and special projects. Authors and artists interested in working with the press should contact us at

Available Titles

Plastic Blue Marble—Catalyst: Amanda Boetzkes

Catalyst Book Series. Ted Hiebert, ed. (2016). With contributions by Shannon Bell, David Cecchetto, Mark Cheetham, Ted Hiebert, Doug Jarvis, Serena Kataoka, Anne Pasek, Andrew Pendakis and Maria Whiteman. 185 pages.

Print ( $29.95) | PDF (free download)

Our earth is no longer the solitary blue marble pictured from outer space by the Apollo 17 crew in 1972. Now, scholars such as Amanda Boetzkes imagine it as a plastic blue marble, mediated as it is through the paradoxes of intersectional and elemental thinking, anthropogenic change, and the ongoing project of imagining the futures we are building together. From visions of catastrophe to poetic journeys through the urban, social and artistic imagination, the contributions in this volume redistribute the currents of Boetzkes's ecological and theoretical insights. They discover new terrains of consideration, styles of thinking and creative forms of engaging with art, philosophy and ecological speculation.

Phono-Fictions and Other Felt Thoughts—Catalyst: Eldritch Priest

Catalyst Book Series. David Cecchetto, ed. (2016). With contributions by G Douglas Barrett, Marc Couroux, Émile Fromet de Rosnay, Ted Hiebert, Nicola Masciandaro, Juliana Pivato, Gary Shipley and Amy Tang. 222 pages.

Print ( $29.95) | PDF (free download)

Eldritch Priest's work does not often figure sounds as waves, but instead favours earworms and egregors ... abstractions that are themselves equally figured through sound. This field is one of phono-fictions, and the contributions to this volume variously figure out (and in) Priest's work by leveraging, interrogating, and promulgating the waves of boredom, bullshit, imagination, and analysis that drive it. These contributions are thus (sometimes true) fictions of a special type: they redound in (non)sonic bodies that are never isomorphic with themselves, instead moving parasitically in modulatory resonances that aggregate and dissemble according to logics that exceed sensibility.

A formalized forum for informal inquiry

Ted Hiebert (2015). A formalized forum for informal inquiry. 134 pages.

Print ( $17.95) | PDF (free download)

This volume collects the curatorial writing produced at Noxious Sector Projects, a window gallery in downtown Seattle, curated by Ted Hiebert between 2011-13. The gallery had as its mandate to be a "formalized forum for informal inquiry" and to exhibit works that creatively challenged the boundaries between the imaginary and the everyday. Featuring the work of: Jackson 2bears, Cindy Baker, Cedar Tavern Singers, Tanya Doody, Neal Fryett, Tetsushi Higashino, Doug Jarvis, Arthur & Marilouise Kroker, Christian Kuras & Ben Tanner, Christian Kuras & Duncan MacKenzie, David LaRiviere, Nate Larson & Marni Shindelman, Urich Lau, Deirdre Logue & Allyson Mitchell, Susan MacWilliam, Ingrid Mary Percy, M.E.D.I.U.M., Steven Rayner, Janet Marie Rogers & Alex Jacobs, Scott Rogers, Second Front, Nathan Shafer, Cara-Ann Simpson, Jason Tentor, Jennifer Willet & Kira O'Reilly.

Forthcoming Titles

Naturally Postnatural—Catalyst: Jennifer Willet

Catalyst Book Series. Ted Hiebert, ed. (Forthcoming: 2017). With contributions by Alana Bartol & Amanda White, Warren Cariou, George Gessert, Christian Kuras, Marta de Menezes, Natasha Myers, Melentie Pandilovski, Kira O'Reilly and Robert Zwijnenberg.

Forthcoming: Fall 2017

Dr. Jennifer Willet is an internationally recognized artist in the emerging field of BioArt. Her work resides at the intersection of art and science, and explores notions of representation, the body, ecologies, and interspecies interrelations in the biotechnological field. Her work has been shown around the world, including the Arnolfini Museum (Bristol UK), Exit Art Gallery (New York), Ars Electronica (Linz), ISEA (San Jose), Biennial Electronic Arts Perth (Australia), The European Media Arts Festival (Osnabrück , Germany), amongst others. ¬†Willet is Associate Professor in the School of Visual Arts at the University of Windsor and the Director of INCUBATOR, the first biological art lab in Canada.